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Leonard Bernstein
9604 songs
Found 277 songsfor "One"
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 251 | Serenade dal "Simposio" di Platone per violino, orchestra d'archi, arpa e percussioni: II. Aristophanes: AllegrettoBarber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone • 4:46 | Barber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone | 4:46 | ||
| 252 | Serenade dal "Simposio" di Platone per violino, orchestra d'archi, arpa e percussioni: III. Erixymachus: PrestoBarber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone • 1:33 | Barber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone | 1:33 | ||
| 253 | Serenade dal "Simposio" di Platone per violino, orchestra d'archi, arpa e percussioni: IV. Agathon: AdagioBarber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone • 7:16 | Barber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone | 7:16 | ||
| 254 | Serenade dal "Simposio" di Platone per violino, orchestra d'archi, arpa e percussioni: V. Socrates - Alcibiades: Molto tenuto - Allegro molto vivaceBarber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone • 10:35 | Barber: Concerto per violino e orchestra Op. 14 - Bernstein: Serenade dal "Simposio" di Platone | 10:35 | ||
| 255 | 3 Preludes (Arr. G. Stone for 2 Pianos): No. 1, Allegro ben ritmato e decisoAmerica for Two • 1:27 | 1:27 | |||
| 256 | 3 Preludes (Arr. G. Stone for 2 Pianos): No. 2, Andante con moto e poco rubatoAmerica for Two • 3:17 | 3:17 | |||
| 257 | 3 Preludes (Arr. G. Stone for 2 Pianos): No. 3, Allegro ben ritmato e decisoAmerica for Two • 1:18 | 1:18 | |||
| 258 | Cuban Overture (Arr. G. Stone for 2 Pianos)America for Two • 9:31 | 9:31 | |||
| 259 | 4 Sabras: IV. Dina (The Tomboy Who Weeps Alone)The Complete Solo Piano Works • 1:10 | The Complete Solo Piano Works | 1:10 | ||
| 260 | Vol. 1: Musical Phonology: "Maybe even a divine one..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:33 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:33 | ||
| 261 | Vol. 1: Musical Phonology: "The first overtone..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:33 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:33 | ||
| 262 | Vol. 1: Musical Phonology: "But even these twelve tones..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:51 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:51 | ||
| 263 | Vol. 2: Musical Syntax: "All right, let's try another one..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:08 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:08 | ||
| 264 | Vol. 2: Musical Syntax: "Let's take one such utterance..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:01 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:01 | ||
| 265 | Vol. 2: Musical Syntax: "You see, one of the great failings..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:57 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:57 | ||
| 266 | Vol. 2: Musical Syntax: "And that was all one single sentence..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:17 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:17 | ||
| 267 | Vol. 3: Musical Semantics: "The first would show us one meaning..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:13 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:13 | ||
| 268 | Vol. 3: Musical Semantics: "That's one of the questions..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:00 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:00 | ||
| 269 | Vol. 3: Musical Semantics: "Now that's one way of looking..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:03 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:03 | ||
| 270 | Vol. 5: The Twentieth Century Crisis: "First of all, Berg chose a tone row..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 1:54 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 1:54 | ||
| 271 | Vol. 6: The Poetry of Earth: "One has only learnt to get..."Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" • 2:45 | Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" | 2:45 | ||
| 272 | The Here and Now: II. Is the One I Love Everywhere?Del Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah” • 2:17 | Del Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah” | 2:17 | ||
| 273 | The Here and Now: VII. The One Who Pours Is Wilder Than WeDel Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah” • 3:10 | Del Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah” | 3:10 | ||
| 274 | Jean Sibelius: 시벨리우스: 투오넬라의 백조 작품번호 22-2 - The Swan of Tuonela, Op. 22 No. 2Sibelius: Essentials • 7:48 | 7:48 | |||
| 275 | The Swan of Tuonela, from Lemminkainen Suite, op. 22, no. 3Symphony no. 1 / Symphony no. 2 / Finlandia / Violin Concerto / Valse Triste / Karelia Suite • 8:11 | Symphony no. 1 / Symphony no. 2 / Finlandia / Violin Concerto / Valse Triste / Karelia Suite | 8:11 | ||
| 276 | Canone inverso: I. Canone inverso primo – Canone inverso secondoCinema Memories: Works for Violin and Piano • 6:53 | 6:53 | |||
| 277 | Canone inverso: II. Finale di un concerto romantico interrottoCinema Memories: Works for Violin and Piano • 4:30 | 4:30 |