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JLIAT
184 songs
Total 184 songs
| Title | Rating | Play |
|---|---|---|
Hilbert’s HotelHilbert’s Hotel • 73:00 | ||
Found Piece From 1973Nineteen Seventy Four • 6:40 | ||
Studio Sounds 1974Nineteen Seventy Four • 0:25 | ||
Synthi AKS, Sequencer and Tape DeckNineteen Seventy Four • 5:34 | ||
16:05:9416:05:94 • 60:05 | ||
The Nature of NatureThe Nature of Nature • 72:20 | ||
The Beethoven SymphoniesThe Beethoven Symphonies • 8:12 | ||
The Ocean of Infinite BeingThe Ocean of Infinite Being • 61:25 | ||
Able 22:00:34 30 June 1946 (GMT) Bikini Atoll Lagoon, Marshall IslandsNoise • 2:49 | ||
Bravo 18:45:00 28 February 1954 (GMT) Artificial Island on Reef 2950 Ft Off Namu (Charlie) Island, Bikini AtollNoise • 2:33 | ||
Cherokee 17:51 20 May 1956 Off Namu (Charlie) Island, Bikini Atoll Test SiteNoise • 2:34 | ||
Fir 17:50.00.1 11 May 1958 (GMT) Bikini BargeNoise • 2:29 | ||
The Dancing HorseThe Dancing Horse • 60:06 | ||
1200 Pieces1200 Pieces • 2:54 | ||
06_05_2013_10_36_27Last Songs - 20_05_2013_13_32_42 • -:-- | ||
18_05_2013_18_26_10Last Songs - 20_05_2013_13_32_42 • -:-- | ||
19_05_2013_11_08_57Last Songs - 20_05_2013_13_32_42 • -:-- | ||
19_05_2013_17_00_33Last Songs - 20_05_2013_13_32_42 • -:-- | ||
20_05_2013_13_32_42Last Songs - 20_05_2013_13_32_42 • -:-- | ||
20_05_2013_18_04_52Last Songs - 20_05_2013_13_32_42 • -:-- | ||
[untitled]Still Life No. 1 (Abhuta-parikalpita) • -:-- | ||
[untitled]Still Life No. 1 (Abhuta-parikalpita) • -:-- | ||
MayMay • 11:39 | ||
May (Variation)May • 14:29 | ||
One Chance Out Between Two WorldsOne Chance Out Between Two Worlds • 60:42 | ||
A Long Drone-Like Piece of Music Made With Synthesizers, Samplers and Digital Delays Which Attempts in Its Minimalism to Be a Thing in Itself Without External Reference, Having an Analogue in Certain States of Consciousness Where Being Is Experienced Also as a Thing in Itself and Not Contingent on Meaning or Purpose.A Long Drone-Like Piece of Music Made With Synthesizers, Samplers and Digital Delays Which Attempts in Its Minimalism to Be a Thing in Itself Without External Reference, Having an Analogue in Certain States of Consciousness Where Being Is Experienced Also as a Thing in Itself and Not Contingent on Meaning or Purpose. • 70:51 | ||
If We Do as Husserl SuggestsIf We Do as Husserl Suggests • 63:41 | ||
[untitled]Still Life #7: The Grandi Series • 60:00 | ||
When We Focus on Nothing as Opposed to the Set or Subset of Infinite Events With Whatever Intellect We Have in That Moment the Conscious State Becomes Aware of the Alternative to the Infinity of States Which in Its Apprehension Is Enlightenment.When We Focus on Nothing as Opposed to the Set or Subset of Infinite Events With Whatever Intellect We Have in That Moment the Conscious State Becomes Aware of the Alternative to the Infinity of States Which in Its Apprehension Is Enlightenment. • 70:00 | ||
Boogie +32767Still Life #5 (6 Types of Silence) • 10:00 | ||
Swing +16383Still Life #5 (6 Types of Silence) • 10:00 | ||
Jive 0Still Life #5 (6 Types of Silence) • 10:00 | ||
Ragtime -1Still Life #5 (6 Types of Silence) • 10:00 | ||
Be-Bop -16385Still Life #5 (6 Types of Silence) • 10:00 | ||
Hip-Hop -32768Still Life #5 (6 Types of Silence) • 10:00 | ||
A Well Tempered ClavierA Well Tempered Clavier • 2:04 | ||
A Well Tempered ClavierA Well Tempered Clavier • 1:32 | ||
A Well Tempered ClavierA Well Tempered Clavier • 5:34 | ||
A Well Tempered ClavierA Well Tempered Clavier • 3:05 | ||
A Well Tempered ClavierA Well Tempered Clavier • 3:01 | ||
A Well Tempered ClavierA Well Tempered Clavier • 0:09 | ||
A Well Tempered ClavierA Well Tempered Clavier • 4:18 | ||
A Well Tempered ClavierA Well Tempered Clavier • 1:49 | ||
A Well Tempered ClavierA Well Tempered Clavier • 1:26 | ||
A Well Tempered ClavierA Well Tempered Clavier • 2:07 | ||
A Well Tempered ClavierA Well Tempered Clavier • 2:12 | ||
A Well Tempered ClavierA Well Tempered Clavier • 4:34 | ||
A Well Tempered ClavierA Well Tempered Clavier • 2:53 | ||
A Well Tempered ClavierA Well Tempered Clavier • 2:49 | ||
A Well Tempered ClavierA Well Tempered Clavier • 6:26 |